{"id":3851,"date":"2026-01-13T19:20:06","date_gmt":"2026-01-13T18:20:06","guid":{"rendered":"https:\/\/udbjorg.wordpress.com\/?p=3851"},"modified":"2026-02-26T00:26:57","modified_gmt":"2026-02-25T23:26:57","slug":"reconstruction-no-3","status":"publish","type":"post","link":"https:\/\/www.udbjorg.com\/wordpress\/?p=3851","title":{"rendered":"Reconstruction no.3"},"content":{"rendered":"\n<figure class=\"wp-block-video\"><video autoplay controls loop muted src=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/d9294f49-5b32-4cba-a620-67a3cb75bbbe.mov\"><\/video><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.3-2.jpg\"><img decoding=\"async\" data-id=\"3854\" src=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.3-2.jpg?w=1024\" alt=\"\" class=\"wp-image-3854\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.2-1.jpg\"><img decoding=\"async\" data-id=\"3853\" src=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.2-1.jpg?w=1024\" alt=\"\" class=\"wp-image-3853\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.4-2.jpg\"><img decoding=\"async\" data-id=\"3855\" src=\"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/nr.4-2.jpg?w=1024\" alt=\"\" class=\"wp-image-3855\"\/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-small-font-size\"><strong>Reconstruction No. 3<\/strong> stands as a visceral inversion of technological design, a sculpture born from the autopsy of a Sony camera. Through a deliberate process of deconstruction and resurrection, the sleek, hermetic seal of the factory-made exterior has been swallowed, while the machine\u2019s hidden anatomy is inflated into a rough, enticing exoskeleton.<\/p>\n\n\n\n<p class=\"has-small-font-size\">This is no longer a passive device but a living entity. At its heart, a Raspberry Pi orchestrates a complex kinetic system, driving four distinct motors that animate the exposed circuitry and optical rings. The sculpture performs a &#8220;techno dance&#8221; in the light\u2014a rhythmic, mechanical choreography of wires and lens elements that casts a dramatic, shifting shadow play against the background.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Drawing upon the philosophy of media archaeology, the piece embodies the concept that <strong>&#8220;Reconstruction reconfigures the internal components&#8230; to a non-functional composition that foregrounds structure over utility.&#8221;<\/strong> By suspending the camera&#8217;s ability to capture images, the work instead captures the viewer&#8217;s gaze, transforming the device into a <strong>&#8220;fragile and contingent system.&#8221;<\/strong> It serves not as a tool, but as a critical reflection, where the authority of the machine is dismantled and the mechanism itself becomes the art.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-c9365267f914bd71ea50e5e539e3962b\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reconstruction No. 3 stands as a visceral inversion of technological design, a sculpture born from the autopsy of a Sony camera. Through a deliberate process of deconstruction and resurrection, the sleek, hermetic seal of the factory-made exterior has been swallowed, while the machine\u2019s hidden anatomy is inflated into a rough, enticing exoskeleton. This is no [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1216],"tags":[],"class_list":["post-3851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"jetpack_featured_media_url":"https:\/\/www.udbjorg.com\/wordpress\/wp-content\/uploads\/2026\/01\/p1000777-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/3851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3851"}],"version-history":[{"count":4,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/3851\/revisions"}],"predecessor-version":[{"id":6118,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/3851\/revisions\/6118"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/3921"}],"wp:attachment":[{"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.udbjorg.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}